Mamannan Movie Review:

Mamannan Movie Review:

The film "Mamannan," directed by Mari Selvaraj, follows a familiar theme seen in his previous works. It explores the dynamics between the dominant class, who exploit the identity and politics of the oppressed, and those who strive for progress and equality. The story revolves around Faqat Basil, the district secretary of the Social Justice Equality People's League, who belongs to the dominant class. The party's MLA is Vadivelu, a member of the oppressed community. Udhayanidhi Stalin portrays Vadivelu's son, while Keerthy Suresh plays his girlfriend. Sunil, portrayed by Fahadh Faasil's brother, causes trouble by vandalizing Keerthy Suresh's free education center at Udhayanidhi's place. Udhayanidhi, angered by the unfair treatment of his father during negotiations, confronts Fahad and beats him. These events lead to Fahad joining another political party, while Vadivelu stands as a candidate for the SDP party in the upcoming assembly elections.

Despite a scary and gripping first half, the film's second half becomes somewhat predictable. However, the screenplay remains engaging, ensuring that the movie never becomes boring. A notable element that adds strength to the film is the music composed by A.R. Rahman. The songs have already become popular among fans and do not hinder the overall narrative. Each verse in the songs serves as a poignant reminder of the pain endured by the oppressed, cutting through like a sharp sword. Although the impact may be slightly diminished compared to Selvaraj's earlier works, the film still manages to captivate the audience.

The film delves into the complex relationships between different social classes and highlights how the dominant caste exploits the identity and politics of the oppressed to their advantage. The character of Faqat Basil, belonging to the dominant class, exemplifies this exploitation. Meanwhile, Vadivelu, representing the listed community, faces unfair treatment and discrimination. These dynamics within the party and the ensuing conflicts become central to the story.

The plot takes an interesting turn when Sunil, instigated by the ruling classes, vandalizes Keerthy Suresh's free education center. This incident triggers Udhayanidhi's anger and prompts him to confront Sunil. The fallout from this confrontation leads Fahad to leave the party and join another political group. As the assembly elections draw near, Vadivelu, standing as a candidate for the SDP party, faces numerous challenges and obstacles.

The ultimate outcome of the elections is not favorable for Vadivelu, indicating a victory for the ruling classes. The film thus revolves around the power struggle and the exploitation faced by the oppressed, highlighting the ways in which the dominant caste manipulates the politics and identity of the marginalized for their own benefit. Despite a somewhat predictable second half, the film maintains a gripping, engaging screenplay complemented by impactful music.