Black Movie Review: classic elements with a modern twist in its approach.

Black Movie Review: classic elements with a modern twist in its approach.

 

 

 

 

"Black", directed by KG Balasubramani, is a Tamil whodunit thriller that stars Jiiva and Priya Bhavani Shankar in lead roles. Produced by S. R. Prabhu under the banner of Potential Studios LLP, the film is a remake of an English movie, a point that the team had announced prior to its release on October 11, 2024. The ensemble cast also includes Vivek Prasanna, Yog Japee, Sha Ra, and Swayam Siddha, who contribute to the film’s supporting roles. With music composed by Sam C. S., Gokul Benoy handling cinematography, and Philomin Raj taking care of the editing, the film promised to offer a compelling mix of unidentified and suspense.

 

The story opens in 1964, where Vivek Prasanna’s character is seen protecting an eloped couple in his beach house. However, the couple is gruesomely murdered the same night, setting the tone for a suspenseful narrative. The film then shifts focus to Vasanth (Jiiva) and his wife Aaranya (Priya Bhavani Shankar), who are on their way to spend a weekend at their newly acquired villa. The eerie atmosphere starts building as mysterious lights distract them during their drive on a full moon night, creating a sense of impending doom.

 

Upon reaching the villa, the couple is warmly welcomed by the promoter, who informs them that they are the first family to occupy the property. However, the peaceful ambiance is short-lived as strange happenings in the house across the street capture their attention. The neighboring house, filled with lights and unusual activities, becomes a focal point of their growing discomfort. This strange scenario is tied to Vasanth’s family, gradually uncovering a chilling connection between the past and present events.

 

The first half of "Black" is engaging, keeping the audience on edge with its suspenseful build-up and well-timed thrills. The narrative weaves scientific elements and the Bermuda Triangle concept into the plot, adding an intriguing layer to the mystery. However, the second half struggles to maintain the same level of tension, as the pace slows and the story loses its grip. Despite this, Philomin Raj’s editing manages to keep the film afloat, even though the sluggish pacing hampers the overall impact.

 

Sam C. S.’s music, while atmospheric, does not quite elevate the film as much as expected. The score, though haunting at times, lacks the punch required for a movie of this genre. Director KG Balasubramani’s ambition to blend mystery, science fiction, and suspense is commendable, though the execution feels uneven. While "Black" offers moments of exhilaration and an intriguing premise, the film ultimately falls short of delivering a fully satisfying thriller experience.