Jenma Natchathiram Movie Review: “Jenma Natchathiram's Dark Turn”

Jenma Natchathiram Movie Review: “Jenma Natchathiram's Dark Turn”





Jenma Natchathiram, directed by B. Manivarman, unfolds as a gritty social drama interwoven with elements of mystery and human emotion. The story opens with Kali Venkat, who plays the role of a loyal personal assistant to a corrupt MLA. When the MLA receives a huge sum of money from his political party, it sets the tone for a series of dark turns. Trouble brews when Kali Venkat’s daughter suffers from a severe heart condition, and the medical expenses for her life-saving surgery are beyond his means.

Seeking financial help from his employer, Kali Venkat is met with an inhuman response. The MLA, cold-hearted and calculating, dismisses the child’s life by saying, “You can always have another baby,” refusing to part with the money. Disheartened and enraged, Kali Venkat takes matters into his own hands. In a turn, MLA murders Kali Venkat (Rajesh) and escapes with the stash of money.

The film shifts gears, focusing on the group that helps Kali Venkat hide and later search for the stolen money. The ensemble includes Malvi Malhotra, Thaman Kumar (as Ajay), and a few others who form a peer group entangled in the quest. Malvi’s character has a traumatic.  The film gradually reveals its psychological and suspenseful layers, keeping the audience engaged till the end.

Performance-wise, Kali Venkat delivers an emotionally grounded performance as a desperate father pushed to the edge. Malvi Malhotra brings intensity to her role, especially during the horror-infused segments of the film. Thaman Kumar as Ajay adds strength to the storyline. Supporting actors like Santhana Bharathi, Munishkanth, and Thalaivasal Vijay bring depth and credibility to the supporting characters. Baby Safa, playing the child, deserves a special mention for her poignant portrayal.

On the technical front, Sanjay Manickam’s music subtly supports the emotional narrative, while KG Ratheesh’s cinematography captures both the rustic realism and tension-filled sequences with finesse. Editor S. Gurusuriya keeps the pace tight, ensuring the film doesn’t stray from its core plot. Backed by producer K. Subhashini.



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